Posts Tagged ‘the entertainment industry foundation’

ROCKS AGAINST CANCER VIDEO

August 27th, 2010

ROCKS AGAINST CANCER from Grace Huang on Vimeo.

Because everybody knows someone, the Rocks Against Cancer video is here. My dear friend Grace Huang put together an amazing crew that donated their time and resources to this project. Their goal like ours is to raise as much money as possible for EIF’s cancer programs.

I want to give a special thanks to our talent: Josh Brown, Toni Belafonte, Alyssa McGarry, Joe Stevens, Maria Diaz, Lisa Wagner, Hank Chen, Herman Mc Dowell, Samantha Stanley, Maye Musk, Allen Enlow, Dipti Mehta, and Lindsey Simcik. These are all real people touched by cancer who, volunteered their time for this video.

Thank you again to the crew: Director and editor Grace Huang, Creative Director Marilyn Kam, Producer Jessica Haselkorn, Producer Katy Fuoco, 1st Photo Assistant Everett Meisner, 2nd photo assistant Luke Barber-Smith, Donna Grossman Casting, Canoe Studios, Industrial Color, Stylist Karin Bereson + No.6 Store, Stylist Sylvia Grieser, Makeup Sam Coffey and Cynthia Sobek, Hair Decyke Heidorn and Rheanne White, without whom this would not be possible.

I hope you enjoy the video. please take the time to click on the share button below and spread the word..

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Eclectic Method at Rocks Against Cancer

August 23rd, 2010

Performing at Rocks Against Cancer a fundraiser for EIF’s cancer programs will be Eclectic Method featuring London natives Jonny Wilson, Ian Edgar and Geoff Gamlen – who helped pioneer the emerging art of audio-visual mixing since first cutting U2’s Mysterious Ways music video with the Beastie Boys’ back in 2002.

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The trio’s audio-visual mash-ups feature television, film, music and video game footage sliced and diced into blistering, post-modern dance floor events. It’s a cyclone of music and images mashed together in a world where Kill Bill fight scenes and Dave Chappelle’s Rick James rants are ingeniously cut and looped over bootleg samples, DVD scratches and pumped-up dance anthems. It’s a real-time subversion of technology and media performed live on video turntables for what LA Weekly called a “mesmerizing” sensory overload.

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